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Salsarita’s
Fresh Cantina Presents
THE CLEAN HOUSE
by Sarah Ruhl
(Finalist for the Pulitzer Prize in 2005,
The Susan Blackburn Prize for Playwriting)
Sept 19-Oct 6, 2007 |
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ABOUT THE PLAY
The Clean House by Sarah
Ruhl (Finalist for the Pulitzer Prize in 2005, The Susan Blackburn Prize for
Playwriting) opens our 2007-2008 season. This is an unpredictable comedy
about a Brazilian maid who hates to clean but instead dreams of telling the
perfect joke (in Portuguese, no less). Her employer’s sister loves to clean
and the two of them conspire with a mysterious stranger to shake up the
lives of everyone involved with hilarious commitments. Graceful and visually
sumptuous, this moving story overflows with jokes that are not understood,
deep feelings that can’t be explained, and houses that are never as clean as
they should be. Opens Sept 19-Oct 6, 2007 |
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MEET THE PLAYWRIGHT -
Sarah Ruhl
Sarah Ruhl's plays include The
Clean House (Susan Smith Blackburn award, 2004), Melancholy Play,
Eurydice, Late: a cowboy song, Orlando, and Passion
Play. Recent projects include Eurydice at Madison Repertory
Theater, Passion Play at the Actor's Centre in London, directed by
Mark Wing-Davey, and Orlando at the Actor's Gang, directed by Joyce
Piven. Her plays have been performed at the Actors Theatre of Louisville as
part of the 2002 Humana Festival, at Trinity Repertory Company, the
Children's Theatre Company, Brown University, and at the Piven Theatre
Workshop in Chicago. Her work has been developed at theaters around the
country, including the Joseph Papp Public Theater and Playwrights Horizons
in New York; Arena Stage, the McCarter Theatre, and Seattle Repertory
regionally. Sarah received her M.F.A. from Brown University, and is
originally from Chicago. In 2003, she was the recipient of a Helen Merrill
award and a Whiting Writers' award. |
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MEET THE DIRECTOR -
Scott Ripley
Scott Ripley graduated from the
U.S. Naval Academy (BS, English) in 1984 and served aboard the carriers USS
Nimitz and USS Theodore Roosevelt as a bombardier/ navigator in Attack
Squadron 35. He logged 1,000 hours and 200 arrested landings in the A-6
Intruder. In 1990, he resigned his commission to enter the Professional
Actors Training Program at U.C. San Diego, where he received his MFA
(Acting) in 1993. Since then he has played leading roles on professional
stages across the country and abroad, including at La Jolla Playhouse,
American Conservatory Theatre (ACT), Portland Stage, Cincinnati Playhouse in
the Park, Taiwan National Theatre, Moscow Art Theatre and for three seasons
in the acting company of the American Repertory Theatre. He has also done
film, television, commercial and voiceover work in New York, Los Angeles,
Boston, Mexico, Belgium and the Netherlands. Scott has taught acting,
improvisation, voice and movement at U.C. San Diego, Northeastern
University, Salem State College, Babson College, the American School of the
Hague, Sinclair Community College and Arizona State University. He is
currently a Visiting Assistant Professor in the Theatre Department at
Davidson College. For ATC, Scott played Peter in Bug (MTA nominee,
Best Actor in a Drama) and Charlotte von Mahlsdorf in the critically
acclaimed production of I Am My Own Wife, for which he won Creative
Loafing’s Theater Person of the Year Award, and Hedwig in Hedwig and the
Angry Inch. |
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MEET THE CAST
Claudia
Carter Covington (Lane) has worked in many professional theatres around
the country and in Charlotte acted with Charlotte Repertory Theatre and
served as their Literary Manager for 18 years. She directed, performed in
and helped produce their Festival of New American Plays, where Charlotte
audiences were introduced to many award winning playwrights. She received
her B.F.A. in Theatre Arts from Stephens College and is a graduate of the
Neighborhood Playhouse in New York City, where she studied with Sanford
Meisner. Some of Claudia’s favorite roles include Lindsey in the premiere of
Sister Calling My Name; Lady Capulet in Romeo and Juliet for
the Rep and the Charlotte Symphony; Artie in Eleemosynary for
Charlotte Rep and the Shakespeare Festival; Allison in Look Back in Anger
for Trinity Players; Christabelle Pankhurst in Suffragette at the
Agassiz and Raymond in Flea in Her Ear for the Vortex Theatre. She is
currently working for Steve Umberger’s Playworks. She has taught acting at
North Carolina School of the Arts, Westminster Schools, Albuquerque Academy
and the Tom Ray Center for juvenile offenders and was director of Cities at
Peace, a multi-cultural performance group of area high school students.
She’s also been a guest artist at Davidson College for a number of years and
a reader for the North Carolina Arts Council playwrighting awards. She is a
member of Literary Managers and Dramaturgs of the Americas and served as
their regional Vice President. Claudia is a recipient of Charlotte
magazine’s Best Actress Award. She is very grateful for the opportunity to
be working with Actor’s Theatre. She’s just celebrated a thirtieth wedding
anniversary with George Covington and is the proud mother of Tyler, Alec,
and Abigail.
Martin
Thompson (Charles) is a professional actor and director with extensive
credits on the New York stage, as well as in regional theatres across the
country. His motion picture credits include Spies, The Boneyard, Mr.
Destiny, and Billy Bathgate with Dustin Hoffman.
On television he has appeared on the
popular daytime soaps The Guiding Light, The Edge of Night and in the
recurring role of “Patrick” on All My Children. Winner of the 2005
MTA Best Actor Award for his performance in Art at Charlotte Rep, Thompson
also received the 2006 nomination for Best Supporting Actor for his
appearance as "Eddie Lawrence" in Shear Madness, which became "The
Longest Running Show in Charlotte Theatre History" at the Blumenthal
Performing Arts Center.
Thompson currently teaches the adult
Acting Classes here at Actors Theatre. He is a member of Actor’s Equity
Association, the American Federation of Television and Radio Artists and the
Screen Actors Guild.
Adyana de la Torre (Matilde)
just recently completed a series of short plays from 365 Plays/365
Days performed at the Public Theatre in New York with the Faux Real Theatre
Company. You may have seen her in Charlotte in Carolina Actors Studio
Theatre’s production of Neon Mirage and Orange Lemon Egg Canary
or in Barebones Theatre Company’s production of Torches last year.
On film, she recently played the role of Dr. Alejandra Carillo in Truth
Function’s ¡A Su Salud!, an instructional Spanish film shot in Chapel
Hill.
She also enjoys choreographing and
performing with Swerve, an urban dance group. However, when she is not on
stage or in front of the camera, she is at the gym either- working out,
teaching a class or training a client. She would like to thank ATC for
giving her this wonderful opportunity to be a part of this talented cast and
crew and to help tell such a beautiful story. She would also like to thank
Rachel, Anelise and Nilda for helping her perfect her Portuguese. Obrigada.
(That’s ‘thank you’ in Portuguese).
Jorja Ursin (Ana) was born in
Gary, Indiana (feel free to sing the song from The Music Man at this
point) and still considers herself a Hoosier at heart. After moving around
the Midwest, she graduated from the University of Michigan with a degree in
Theatre and then ran away from home at the age of 25 to the magical land of
Los Angeles, California. There, she became a legend in her own mind and,
after 13 years in the West, realized that she was broke and had no real
estate. On the advice of her father, she made her way to the "boom town" of
Charlotte, NC where she purchased a small, affordable patio home, became a
legal secretary by day and at night developed a secret artistic persona
which keeps manifesting itself in the Charlotte theatre community. Some of
her favorite roles have been in Beyond Therapy and Polish Joke
for Actors Theatre of Charlotte and Relationships and Other
Natural Disasters for Pi Productions. Jorja would like to dedicate her
performance to all the people in her life who have helped heal her with the
power of their love (you know who you are).
Elyse
A. Williams (Virginia) began her professional theatrical career at The
Barn Dinner Theatre in Roanoke, VA where she performed dozens of plays on
“the magic stage” and since moving to Charlotte in 1985, she has performed
for Innovative Theatre in Sister Mary Ignatius Explains It All To You,
Charlotte Repertory Theatre in Murder at the Booth, Theatre Charlotte
in Noises Off, Rumors and Lend Me a Tenor, CPCC in Jake’s
Women, Ten Little Indians, Amadeus and The Musical Comedy Murders of
1940, and PiProduction’s Eyes of God. Elyse has also appeared in
Barebones Theatre Group’s Drift and most recently as Vivien Leigh in
Orson’s Shadow. As part of the original Actor’s Theatre development
team over 15 years ago, Elyse is passionate about ATC and their commitment
to the artistic growth of our community. She has performed in many ATC
productions including Serenading Louie, Marvin’s Room, Jungle Rot and
The Tale of the Allergist’s Wife. She is also honored to be selected
to do the role of Virginia in tonight’s production of The Clean House
and to be working with Scott Ripley and such a talented professional cast.
Elyse is a member of the Screen Actors Guild, the American Federation of
Television and Radio Artists, International Association of Business
Communicators, Media Communications Association and the Business and
Innovation Group. She owns a television production company, EAW
Productions, which specializes in corporate television productions. |
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