Rabbit Hole
By David Lindsay-Abaire
Directed by Dennis Delamar

November 12 – 29, 2008

Sometimes the silence is deafening…

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Winner of the 2007 Pulitzer Prize for Drama!

A graceful drama laced with poignant humor, RABBIT HOLE follows the Corbett’s, an all-American family, in their search for hope after a life-shattering accident turns their world upside-down.

RABBIT HOLE is quietly truthful in its examination of relationships (sisters, mother and daughter, and husband and wife) and helps us recognize ourselves in each character. The story shifts seamlessly from hilarity to silent understanding, while exploring the hidden truth of love, the bittersweet search for comfort in the darkest of places, and a path of healing that will lead the Corbett’s back into the light of day.

Cynthia Nixon, of “Sex and the City” fame, won a Tony Award for her portrayal of Becca in what Show Business Weekly called “an entertaining and satisfying play – It just might be the year’s best.”

See the interview with Director Dennis Delamar to learn more about the production.

Director Interview:


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MEET THE PLAYWRIGHT

David Lindsay-Abaire's play Kimberly Akimbo was commissioned by South Coast Rep, premiered at that theater in 2001, and received the LA Drama Critics Circle Award for playwriting, three Garland Awards, and the 2001 Kesselring Prize. The play recently completed its sold-out New York run at Manhattan Theater Club where it was hailed as "The Comedy of the Year" by The New York Times. David is currently adapting Kimberly Akimbo into a screenplay for Steven Spielberg and Dreamworks SKG.

Mr. Lindsay-Abaire's play Wonder of the World was produced last season at MTC, after premiering at Washington, D.C.'s Woolly Mammoth Theatre, where it was nominated for a Helen Hayes Award as Outstanding New Play of the Year.

His play Fuddy Meers premiered at Manhattan Theater Club in the fall of 1999, and later transferred to The Minetta Lane Theatre for a commercial run. It has since received over a hundred productions around the country and abroad, has been translated into several languages, and is currently being developed into a motion picture, produced by Jonathan Weisgal and Sarah Jessica Parker. Mr. Lindsay-Abaire's other plays include Snow Angel, How We Talk in South Boston, A Devil Inside, Dotting & Dashing and A Show of Hands, among others. He has received awards from the Berrilla Kerr Foundation, the LeComte du Nouy Fund, Mixed Blood Theater, Primary Stages, the Tennessee Williams Literary Festival, and the South Carolina Playwrights Festival. He is a graduate of Sarah Lawrence College and the Juilliard School's Playwriting Program, as well as a proud member of New Dramatists, the Dramatists Guild, the WGA, and the American Theatre Wing's Tony Nominating Committee.

 

MEET THE DIRECTOR 

Dennis Delamar is the recipient of MTA directing awards for ATC’s productions of I AM MY OWN WIFE, THE GREAT AMERICAN TRAILER PARK MUSICAL and last season’s THE PILLOWMAN. In 2008 he directed ATC’s THE LITTLE DOG LAUGHED, Theatre Charlotte’s WALKING ACROSS EGYPT, and our May remount of I AM MY OWN WIFE starring Scott Ripley at the Booth Playhouse. His next directing project after RABBIT HOLE is Theatre Charlotte’s spring musical THE FULL MONTY. Other ATC productions helmed by Delamar include ANTON IN SHOW BUSINESS, FLAMING GUNS OF THE PURPLE SAGE, PIAF, YOU SHOULD BE SO LUCKY, VISITING MR. GREEN, BOOK OF DAYS, and THE SANTALAND DIARIES. For his work with CPCC’s THE WIZARD OF OZ in 2006 and ATC’s WIFE, he was named "Director of the Year"- 2006 by Creative Loafing and "Best Director" by Charlotte Magazine in the "Best of the Best" 2007 Awards.

A 25-year veteran Charlotte actor, Delamar has toured nationally with JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. He has appeared with Charlotte Rep, Opera Carolina, Charlotte Symphony, CPCC Summer Theatre, Children’s Theatre of Charlotte, Actor’s Theatre of Charlotte, Ohio’s Porthouse Theatre, Southern Appalachian Repertory Theatre, and Theatre Charlotte.   Dennis will be reprising his Dr. Parker role in our January 2009 revival of BAT BOY: THE MUSICAL.      He extends his appreciation to the cast, crew, and artistic team for their collaborative efforts, sincere dedication, and hard work on this sensitive drama.

MEET THE CAST 

Polly Adkins (Nat) is delighted to be back on the ATC boards.  Audiences have seen her in various roles over the years in such ATC shows as THE OLDEST PROFESSION, JOHNNY GUITAR, FLAMING GUNS OF THE PURPLE SAGE, PIAF, LOVE LETTERS, ZARA SPOOK & OTHER LURES, YOU SHOULD BE SO LUCKY and EQUUS.  

She has also been active in other venues such as Theatre Charlotte, CPCC Summer Theater, Barebones, Create Carolina, and other regional playhouses and dinner theaters. "Thanks to Dennis, Dan, Carrie, the wonderful backstage crew, the front office group, and this very fun cast of excellent actors who keep my old brain revved up and laughing.  A big thanks also to Rebecca!"

Chip Decker (Howie) was born and raised in the Green Mountains of Vermont and has lived in Texas, North Dakota and North Carolina. Chip joined Actor’s Theatre in 1996 and became Artistic Director in 2002. In addition to acting in our productions of DARK RAPTURE, STUMPS, ZARA SPOOK & OTHER LURES, BUG and the REDUCED SHAKESPEARE’S “ABRIDGED” plays, Chip received MTA's Best Supporting Actor award for his portrayal of Michael in ATC's multi-award winning drama, THE PILLOWMAN. Also, Creative Loafing’s Best Director (Comedy) Award for our production of WONDER OF THE WORLD, as well as sharing Theatre Person of the Year honors. He also directed the blood-filled comedy THE LIEUTENANT OF INISHMORE, the popular POLISH JOKE that opened our 2005-2006 season, and THE OLDEST PROFESSION, in our 2006-2007 season and will be directing this year’s hilarious Theatre 650 Joint, THE SANTALAND DIARIES and the world premiere of the outrageous farce, SOUTHERN RAPTURE. Chip would like to thank the staff at ATC for indulging his Acting Addiction and his favorite scene partner of nearly 16 years, his wife, Taffy.

Julie Janorschke-Gawle (Izzy) is thrilled to be performing at Actor's Theatre after nearly five years! 

Some of her favorite theatre experiences include: A MAD, MAD MADRIGAL (Ivory Sorceress), THE BODY CHRONICLES (Annemarie Fitzer), FUDDY MEERS (Heidi), SOMEONE'S KNOCKING (Gladys), and A MIDSUMMER NIGHT'S DREAM (Helena), CYRANO DE BERGERAC (Le Bret), and SCOTLAND ROAD (Halbrecht), DESDEMONA: A PLAY ABOUT A HANKERCHIEF (Director), WHY WE HAVE A BODY (Director), and DON'T DRESS FOR DINNER (Director).  Hugs & kisses to my new husband!

Susan Roberts Knowlson (Becca) is delighted to be making her first appearance with Actor’s Theatre, and is extremely grateful to Dennis, Chip, and Dan for the opportunity to do this amazing play. Charlotte audiences may recognize Susan from her many roles at Children’s Theatre, CPCC Summer Theatre, Theatre Charlotte, and Charlotte Rep.

She has appeared Off-Broadway and across the country in theatre, cabaret, opera, and TV, including HBO’s SEX IN THE CITY. Susan has received multiple awards from Charlotte Magazine, Creative Loafing and The Metrolina Theatre Association for her acting and has a master’s degree from The University of North Carolina School of the Arts. Her favorite roles include: Kathy in THE LAST 5 YEARS, Annie in ANNIE GET YOUR GUN, Mrs. Meers in THOROUGHLY MODERN MILLIE, Brooke in NOISES OFF, Maria in THE SOUND OF MUSIC, Miss Nelson in MISS NELSON IS MISSING, Adelaide in GUYS AND DOLLS, and Cordelia in FALSETTOS. Susan would like to thank her Mom, her husband Richard, and her two beautiful girls for their love and support and for making everything possible.

Nikhil Pai (Jason) is thrilled to be making his Charlotte debut with one of his favorite plays, RABBIT HOLE. He is a graduate of the University of North Carolina at Chapel Hill with degrees in Biology and Dramatic Arts, and he recently spent the summer in New York training at the Atlantic Acting School. Favorite roles include Adam in THE SHAPE OF THINGS, Orlando in AS YOU LIKE IT, and Sam in COYOTE ON A FENCE. He is overjoyed and thankful to be working with such a great group of people.  In college he was fortunate enough to direct a production of this phenomenally written play, and he is honored to be able to work on it again, this time from a completely different perspective. He wishes to thank Dennis for this amazing opportunity, Actor’s Theatre for welcoming him into the fold, his family for their unending support, and his friends for their inspiration.

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